Cello d-2 Pistoy Gut

3 reviews Write a Review
SKU:
A322_
$59.90
$47.92
You save $11.98
Width:
6.00 (in)
Height:
6.00 (in)
Depth:
0.10 (in)
Shipping:
Calculated at Checkout

Description

Table of Cello Gauges
  Light Light+ Medium Medium+ Heavy Heavy+
d-2 Pistoy 1.50mm 1.52mm 1.54mm 1.56mm 1.58mm 1.60mm

 

This is a single-length (48", 120cm), double twist, Pistoy-style string made with beef serosa available with either a natural or varnish finish.

Plain gut strings are available with a natural or varnish finish. Natural strings are hand-rubbed with a light oil. Varnished strings have three coats of finish before being hand polished with the oil. There is an additional charge for varnished strings. The string comes with plain, unknotted ends. Knots may be tied for you, and leather washers added for an additional charge.

Instructions on how to tie a string knot are on the back of each package.

The Pistoy string is a unique development of Daniel Larson at Gamut Music. It is named for the town in Italy which was famous for producing the best string for basses, being "flexible, smooth, and well twisted." Our reproduction is made of three strands of gut twisted in one direction, and then the three combined together by twisting in the other direction in rope fashion. When dry, the string is polished down to the specific gauge required by the instrument. The results are a very flexible string with a quick response and a full, round sound. The string is characterized by a noticeable twist and flexible feel.

This is not a polished catline as some think. At first glance this might look like such a thing. However, the Pistoy is fundamentally a different kind of string. It shares one trait with the catline in that the string is made with two directions of twists. This is where the similarity ends. The Pistoy has no space in the structure like the catline does, and therefore has the same density as any plain gut string. The Pistoy string is expensive to make because it takes a lot of time to sort the gut into small bundles to twist and retwist. The gain is in the flexibility. Even in thick gauges the string remains supple and responsive. The color ranges from clear white on thinner strings (1.00mm to 1.10mm) to opaque yellow on thicker strings.

Academie strings are manufactured in the USA by Gamut Music, Inc., a leader in the revival of early music strings and instruments. Gut strings are not intended to be used with fine tuners or string adjusters and those devices should be removed before installing the gut string on the instrument.

More information about Gamut gut strings, string types, gauges, and string tensions can be found on our articles page. Not finding an answer to your question? Please contact us directly: support@gamutmusic.com.

Extra Information

Brand:
Academie
Width:
6.00 (in)
Height:
6.00 (in)
Depth:
0.10 (in)

3 Reviews

  • Posted by Raffael Scheck on Sep 25th 2021

    5

    Cello D string

    Excellent, durable, and powerful

  • Posted by Joshua Tan on Sep 3rd 2020

    5

    Very Good String

    I ordered the heavy+ gauge. The sound settled in after about 4 days of practicing 60-90 min each. It's still stretching but it stays fairly in tune now when I'm practicing. The string has a wonderful sound. I currently use a steel A and the Pistoy keeps up quite well in both projection and response, only being a little quieter and slightly more difficult. In a comparison of gut vs steel, that's a win in my book. Highly recommend trying this string out.

  • Posted by Ian on Apr 2nd 2019

    5

    fast response, good color and texture heavy+

    Response is outstanding, and power on the heavy+ doesn't compromise texture. This string is floor is a real floor shaker on my cello. The only downside is finding a wound G string that comes close to the response time of this string. This string is very forgiving, and will build a false sense of security next to adjacent strings. As most other gut strings will require more care on bow changes. This string could be ready for rehearsal in 3 hours of intense playing or less, if have time to fix the tuning every 30 minutes. After 4 days and 16 - 20 hours of playing I considered this string concert ready pitch wise. Preferably I would allow another week for best sound under my ears, but pitch was stable and an audience would have a very difficult time hearing anything but a pleasing sound.