Guitar (Baroque, Classical) / Vihuela

[Video] Introducing: The Baroque Guitar - Brandon Acker

[Video] Introducing the Baroque Guitar - Orchestra of the Age of Enlightenment

[Video] The History of Guitar- Rob Scallon and Brandon Acker

[Video] What Guitars Were Like 400 Years Ago - Rob Scallon and Brandon Acker

[Video] The First Guitar - The Birth of the Six-string Guitar (The Romantic Guitar) - Polivios Music

[Video] Classical Guitar Myths Debunked! - Brandon Acker

[Video] Renaissance Lute vs. Classical Guitar - Brandon Acker

[Video] How to Tune Your Guitar Like a Lute - Brandon Acker

[Video] Secrets to Improvising on Guitar and Lute (Feat. Bor Zuljan) - Brandon Acker

[Video] Nails vs. No Nails - Which is Louder on Guitar? - Brandon Acker

A Brief History of the Guitar - Paul Guy

Baroque Guitar Research - Compiled by Monica Hall

Early Romantic Guitar Information - Compiled by Len Verrett

Instructions for the Baroque Guitar - Monica Hall. The Lute Society - UK

[French] Premier Livre de Tabulature de Guiterre, Contenant Plusieurs Chansons, Fantasies, Pavanes, Gaillardes, Almandes, Branles, Tant Simples Qu’autres le Tout Composé (First Book of Guiterre Tabulature, Containing Several Songs, Fantasies, Pavanes, Gaillardes, Almandes, Branles, Both Simple and Others, All Composed) - Adrian le Roy. From the printing press, by Adrian le Roy & Robert Ballard, rue Saint Lean de Beauuais, under the sign Sainte Geneuieue/Paris, September 12, 1551

[French] Second Livre de Guiterre, Contenant Plusieurs Chansons en Forme de Voix de Ville Nouvellement Remises en Tabulature (Second Guitar Book, Containing Several Songs in the Form of City Voices Newly Retabulated) - Adrian le Roy. From the printing press, by Adrian le Roy & Robert Ballard, rue Saint Lean de Beauuais, under the sign Sainte Geneuieue/Paris, 1552

[French] Tiers Livre de Tabulature de Guiterre, Contenant Plusieurs Préludes, Chansons, Basse-Dances, Tourdions, Pavanes, Gaillardes, Almandes, Bransles, Tant Doubles que Simples (Third Book of Guiterre Tabulature, Containing Several Preludes, Songs, Bass-Dances, Tourdions, Pavanes, Gaillardes, Almandes, Bransles, Both Double and Simple) - Adrian le Roy. Adrian le Roy. From the printing press, by Adrian le Roy & Robert Ballard, rue Saint Lean de Beauuais, under the sign Sainte Geneuieue/Paris, 1552

[French] Recueil des Pieces de Guitare Composées par Mr. François Le Cocq (Collection of Pieces for Guitar Composed by Mr. François Le Cocq) - François Le Cocq (translated by Mary Woodward). Bibliothèque du Conservatoir Royal de Musique/Brussels, 1729

The Tuning of the Five-Course Guitar - Sylvia Murphy. The Galpin Society Journal, Vol. 23, pp. 49-63, 1970

The Renaissance Guitar 1500-1650 - James Tayler. Early Music, Vol. 3, No.. 4, pp. 341-347, 1975

The Stringing of the Five Course Baroque Guitar - Donald Gill. Early Music, Vol. 3, No. 4, pp. 370-371, 1975

Baroque Guitar for the Modern Performer – A Practical Compromise - Don Rowe and Richard d’A Jensen. Guitar Review, #49, Fall 1981

The Spanish Polyphonic Ballad in 16th-Century Vihuela Publications - Judith Etzion. Musica Disciplina, Vol. 35, pp. 179-197, 1981

[PDF] The Guitar in Nineteenth-Century America: A Lost Social Tradition - Peter Danner. Soundboard Scholar, 1985

[PDF] The Guitar in America as Mirrored in Cadenza (1894-1924) - Peter Danner. Soundboard Scholar, 1991

The Spanish Baroque Guitar and Seventeenth-Century Triadic Theory - Thomas Christensen. Journal of Music Theory, Vol. 36, No. 1, pp. 1-42, 1992

[PDF] Juan Bermudo: "On Playing the Vihuela (De Tañer Vihuela)” from Declaración de Instrumentos Musicales - Dawn Astrid Espinosa (translated, commentary). Journal of the Lute Society of America, 1995

[PDF] An Introduction to Spanish Guitar Chord Notation - M. June Yakeley and Monica Hall. The Lute Society Journal, Vol. 35, 1995

[PDF] The Guitar and its Performance From the Fifteenth to Eighteenth Centuries - James Tyler. Performance Practice Review, Vol. 10, No. 1, Article 6, 1997

[PDF] Guitar Performance in the Nineteenth Centuries and Twentieth Centuries - Paul Sparks. Performance Practice Review, Vol. 10, No. 1, Article 7, 1997

[PDF] The Five-Course Guitar as a Continuo Instrument - Monica Hall. Lute News,, No. 52, December 1999

[PDF] I Will Praise God With My Guitar: Jean Baptiste de Castillion – Bishop and Amateur Musician - Monica Hall. LSA Quarterly, May 2001

[PDF] Recovering a Lost Book of Guitar Music by Corbetta - Monica Hall. Consort, Vol. 61, 2005

[PDF] Francesco Corbetta’s Missing Guitar Books - Monica Hall. LSA Quarterly, September 2006

[PDF] Princess An’s Lute Book and Related English Sources of Music for the 5-Course Guitar. Monica Hall. Consort, Vol. 66, 2010

[PDF] Stringing of the 5-Course Guitar In the 17th and Early 18th Centuries - Monica Hall. Self-published, 2012

[PDF] The Guitar as an “Open-Air” Instrument in the Early Romantic Era - Panagiotis Poulopoulos. Soundboard Scholar, 2015

[Amazon] Performing Baroque Music on the Classical Guitar: A Practical Handbook Based on Historical Sources - Peter Croton. CreateSpace Independent Publishing Platform, 2015

[PDF] Alfabeto Songs: Guitar Accompaniment in Early Seventeenth-Century Italian and Spanish Vocal Music - Monica Hall. Consort, Vol. 72, 2016

[PDF] The Chittarra Atiorbata and the Guittare Theorbée: A Re-Appraisal - Monica Hall. Self-published, 2020

The Great Vogue for the Guitar in Western Europe 1800-1840 - Christopher Page and James Westbrook. Boydell Press, 2023